Figure: Dian

The cramped kitchen of the Orient Express, with a worktop by the window, metal cupboards on the wall and pots hanging from the ceiling. The chef is standing at the worktop preparing a cup of coffee, while Dian stands behind him holding a tray with a pot. (AI generated image)

A modern kitchen in a flat. Miray and Dian are sitting at a round table at the front. They both have a kebab in their hands, and Miray takes a bite with relish. (AI generated image)

The knights’ hall of an old castle. To the left, a fire crackles in a huge fireplace. In the middle of the room stands a dark table. Dian sits on one of the chairs and looks at Miray, who is standing next to the table. The scene appears gloomy and eerie. (AI generated image)

Miray and Dian are sitting on a weathered bench. Miray has a concerned facial expression. Behind them is a cow pasture separated by a wire fence. (AI generated image)

A young man is sitting on a grey sofa in the evening, watching TV while holding a bag of crisps in his hand. (AI generated image)

Dian in a dark interrogation room. He sits in the spotlight, looking concerned. Before him, on the table, there is a microphone with a red light, ready for recording. Behind him, there is a two-way mirror. (AI generated image)

In the lobby of an airport. Left: Miray, wearing the uniform of a Spanish inspectora. Right: Dian, wearing a white shirt and grey trousers, carrying a black leather case. They are looking into the distance, as if they have spotted someone. (AI generated image)

A young man is sitting behind a desk in an office, with filing cabinets against the wall and a plant in the corner. Everything looks a bit worn. From the window behind him, there is a terracotta-coloured wall with balconies. (AI generated image)

Dian at a Christmas market, cheering with a glass that appears to be mulled wine. (AI generated image)

In the parking lot of a car dealership. A young man with stubble is chatting with his boss, a man in a business suit. (AI generated image)

Dian in his messy room. Clothes and other things are lying around everywhere. Dian looks a little desperate. (AI generated image)

In a round room, a winding staircase with wooden railings leads to an upper floor. The plaster is old and dirty. Daylight streams in through a window. Dian stands at the railing and looks slightly to the side. (AI generated image)

Dian and Miray are in the garden of a mansion talking to each other. In the background is an old, somewhat neglected French mansion. (AI generated image)

In the dining car of a historic train. An older, corpulent man is standing on the left. He is wearing a blue uniform with a double row of buttons and an officer’s cap. On the right is a young man in a white uniform with a white officer’s cap. The older man is scolding the younger man. The younger man looks away, embarrassed. (AI generated image)

The knights’ hall of an old castle. Hunting trophies hang on the dark walls, beneath them are paintings, one of which depicts an anthropomorphic wolf. To the left, a fire crackles in a huge fireplace. In the middle of the room, brightly lit, stands a dark table. Dian sits on one of the chairs and looks at Miray, who is standing next to the table. The scene appears gloomy and eerie. (AI generated image)

Scenes

All Scene Stills

All scene stills are AI generated

Episodes

1: Tear of the Desert 2: Élodie's Curse 3: Deceptive Appearances 4: The Great Trampera 5: Kiona Bluff 6: Tapas in València 7: The Alchemist Backstage

Figures

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All scene stills are AI generated