Figure: Miray

Miray is sitting on the wall of an old castle ruin. Instead of feet, she has goat hooves. She can’t get away because everything in front of her is overgrown with thorny scrub. She gazes anxiously into the distance. The image feels bleak, menacing, and nightmarish.
A gravel path leads through a neglected park. Miray is standing on the path wearing a grey dress and boots. She has her hands on her hips and is smiling at the camera. A wall and the edge of a building are visible behind her.
A modern kitchen in a flat. Miray and Dian are sitting at a round table at the front. They both have a kebab in their hands, and Miray takes a bite with relish.
The knights’ hall of an old castle. To the left, a fire crackles in a huge fireplace. In the middle of the room stands a dark table. Dian sits on one of the chairs and looks at Miray, who is standing next to the table. The scene appears gloomy and eerie.
Miray and Dian are sitting on a weathered bench. Miray has a concerned facial expression. Behind them is a cow pasture separated by a wire fence.
A room in a manor house. Monsieur Farges is standing on the left, Miray on the right, confronting him. Farges is fuming, his hands clenched into fists, looking at Miray sternly. Miray has her arms crossed and is watching Farges.
A woman wearing a blue cowboy outfit and a brown hat stands on the dusty main street of a small western town.
In the lobby of an airport. Left: Miray, wearing the uniform of a Spanish inspectora. Right: Dian, wearing a white shirt and grey trousers, carrying a black leather case. They are looking into the distance, as if they have spotted someone.
A young woman, pixie cut, pinstripe suit. She has a serious facial expression. In the background (blurred) an empty warehouse with graffiti on the walls.
Inside an old barn. Miray sits on a hay cart, wearing a leather winter coat and talking to someone.
Inside an old barn. Miray sits on a hay cart, wearing a leather winter coat and looking into the camera.
Miray wearing a Santa Claus outfit, sitting on a couch in a living room with Christmas decorations.
A woman wearing a blue cowboy outfit and a brown hat stands on the dusty main street of a small western town.
A dark taproom in an old inn, lit by candles. A woman in a beige sweater is sitting at the table.
A woman in a blue satin dress and a blue hat, standing in the luxurious modern lobby, with a night view of a city outside.
A snow-covered forest. In the foreground stands a woman with short hair and blue streaks. She is wearing a dark leather jacket with a fur hood and appears to be lost in thought.
A dining car of an old luxury train at night. In the front, a young woman in an elegant, high-necked blue dress sits at a table, looking as if she is waiting for someone.
Dian and Miray are in the garden of a mansion talking to each other. In the background is an old, somewhat neglected French mansion.
A young woman sits in the driver’s seat of a red convertible. She has a short, tousled pixie cut with blue streaks, and is wearing sunglasses with a golden rims. She smiles as she rests her left arm on the car door.
The knights’ hall of an old castle. Hunting trophies hang on the dark walls, beneath them are paintings, one of which depicts an anthropomorphic wolf. To the left, a fire crackles in a huge fireplace. In the middle of the room, brightly lit, stands a dark table. Dian sits on one of the chairs and looks at Miray, who is standing next to the table. The scene appears gloomy and eerie.
Scenes
All Scene Stills
Episodes
1: Tear of the Desert 2: Élodie's Curse 3: Deceptive Appearances 4: The Great Trampera 5: Kiona Bluff 6: Tapas in València Backstage
Figures
Alexandru Brown, Amanda Bullet Ben Chef Civera Cobb, Luther Cowboy Dian Dian's Boss Farges, Antoine Florica Hopkins Lish Martens, Clayton Miray Moreau Reynaud, Jacques
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All images are AI-generated. They are fictional, just like movies at the cinema.