The cramped kitchen of the Orient Express, with a worktop by the window, metal cupboards on the wall and pots hanging from the ceiling. The chef is standing at the worktop preparing a cup of coffee, while Dian stands behind him holding a tray with a pot.
A modern kitchen in a flat. Miray and Dian are sitting at a round table at the front. They both have a kebab in their hands, and Miray takes a bite with relish.
The knights’ hall of an old castle. To the left, a fire crackles in a huge fireplace. In the middle of the room stands a dark table. Dian sits on one of the chairs and looks at Miray, who is standing next to the table. The scene appears gloomy and eerie.
A fireplace in a modern and luxurious living room. On it, a small golden figure, graceful, feminine, it seems almost to dance. On its plaque, “Scarlet Summers, 1989” is written.
Miray and Dian are sitting on a weathered bench. Miray has a concerned facial expression. Behind them is a cow pasture separated by a wire fence.
A young man is sitting on a grey sofa in the evening, watching TV while holding a bag of crisps in his hand.
“The Magatzem de la Marina was an old warehouse near the docks, a plain, massive stone building with a corrugated metal roof. Once a vital part of the port’s operations, it now sat empty, waiting to be turned into a club or bulldozed.”
A room in a manor house. Monsieur Farges is standing on the left, Miray on the right, confronting him. Farges is fuming, his hands clenched into fists, looking at Miray sternly. Miray has her arms crossed and is watching Farges.
A woman wearing a blue cowboy outfit and a brown hat stands on the dusty main street of a small western town.
A woman (perhaps a former Hollywood star) stands on the terrace of her house by the pool. She wears bright clothes and sandals. She is looking into the distance, as if seeking someone.
Dian in a dark interrogation room. He sits in the spotlight, looking concerned. Before him, on the table, there is a microphone with a red light, ready for recording. Behind him, there is a two-way mirror.
A man in a white shirt, grey vest, and matching cap, with a well-groomed grey beard. He is standing in a palm garden, behind him a futuristic villa made of glass and concrete, with curved shapes reminiscent of a UFO.
In the lobby of an airport. Left: Miray, wearing the uniform of a Spanish inspectora. Right: Dian, wearing a white shirt and grey trousers, carrying a black leather case. They are looking into the distance, as if they have spotted someone.
A young man is sitting behind a desk in an office, with filing cabinets against the wall and a plant in the corner. Everything looks a bit worn. From the window behind him, there is a terracotta-coloured wall with balconies.
A young woman, pixie cut, pinstripe suit. She has a serious facial expression. In the background (blurred) an empty warehouse with graffiti on the walls.
An elderly gentleman in a beige coat, dark suit jacket, and white shirt stands in the corridor of an old sleeping car. In his hand, he holds something that looks like a blue gemstone. It is night, and only warm electric light illuminates the passageway.
Inside an old barn. Miray sits on a hay cart, wearing a leather winter coat and talking to someone.
Inside an old barn. Miray sits on a hay cart, wearing a leather winter coat and looking into the camera.
Miray wearing a Santa Claus outfit, sitting on a couch in a living room with Christmas decorations.
Dian at a Christmas market, cheering with a glass that appears to be mulled wine.
On the plateau of a high mountain, a radar station explodes in a massive fireball.
A winter landscape with deep snow. An old man sits on the front of a wooden sled. He wears thick clothes and a fur hat. A horse pulls the sled slowly through the snow.
Orient Express train cars on the platform of a station concourse. Passengers with luggage are getting on and off. The people are wearing clothing from the early 20th century.
A black vintage car is driving along a country road between a field and a forest. The weather is summery and pleasant, but storm clouds are already gathering in the distance.
In a modern industrial-style room, a woman sits at a desk typing on a keyboard while watching the monitor.
An old house in a deeply snow-covered, mountainous landscape. The ground floor is built of rough fieldstones, topped by another story of dark wood and a roof. It’s snowing lightly, the air is somewhat foggy and cold.
A woman wearing a blue cowboy outfit and a brown hat stands on the dusty main street of a small western town.
In the parking lot of a car dealership. A young man with stubble is chatting with his boss, a man in a business suit.
An old tower room with several windows. It looks dirty. Some of the windows are broken. A pigeon is sitting on a windowsill.
A somewhat run-down beach café in San Francisco: the façade is dirty, the paint is peeling, and the awning is filthy. A red Firebird is parked in front of the café.
A dark taproom in an old inn, lit by candles. A woman in a beige sweater is sitting at the table.
A hardware store in a Western. Behind the counter stands an older man with gray hair, a gray beard, and glasses.
A tall, gaunt man stands in a corridor lit by warm artificial light. He is carrying a suitcase.
A woman in a blue satin dress and a blue hat, standing in the luxurious modern lobby, with a night view of a city outside.
Dian in his messy room. Clothes and other things are lying around everywhere. Dian looks a little desperate.
A man with thinning hair and the face of a choleric is smoking a cigar.
A cowboy stares unfriendly into the camera. In the background, a log cabin and a fence in the savannah, with a desert cliff on the horizon.
A snow-covered forest. In the foreground stands a woman with short hair and blue streaks. She is wearing a dark leather jacket with a fur hood and appears to be lost in thought.
At night, the pale moon illuminates an overgrown lake. A ghostly apparition stands on the shore and gazes out at the lake. The atmosphere is gloomy and eerie.
A luxurious restaurant in an upper floor of a skyscraper. To the left, there are tables near large panoramic windows. To the right, there is a curved bar, with colorful mosaic stones on the front. The skyline of a big city at night can be seen outside, with other skyscrapers and thousands of lights. Dimmed, warm lighting creates a cozy atmosphere.
In a shabby beach café in Malibu. A woman with black curls and brown skin, wearing trendy nerd glasses, sits at a table and grins confidently. In the background and out of focus, is a slot machine.
At dusk, a train travels through a rural landscape. At the front is a steam locomotive, followed by several carriages, some of which are shrouded in smoke. The viewer is slightly elevated and looking directly at the train.
The image depicts a dark, eerie Winter scene featuring the stone structure of a castle with a large, arched wooden door. The door is slightly ajar, revealing a dimly lit older man with a serious expression. The stone wall surrounding the door is composed of large, irregular stones, some of which are dusted with snow, adding to the cold and foreboding atmosphere. The door has a distinctive black metal ring handle shaped like an animal’s head.
In a round room, a winding staircase with wooden railings leads to an upper floor. The plaster is old and dirty. Daylight streams in through a window. Dian stands at the railing and looks slightly to the side.
A modern, luxurious house with unique architectural design. The house is circular and has a flat, disc-like roof extending beyond the walls. The structure is white, with large glass windows and balconies that offer expansive views of the surroundings.
A dining car of an old luxury train at night. In the front, a young woman in an elegant, high-necked blue dress sits at a table, looking as if she is waiting for someone.
A young woman wearing a blouse and a brown apron with embroidered floral patterns. She has long auburn hair that she has tied in a plait.
Dian and Miray are in the garden of a mansion talking to each other. In the background is an old, somewhat neglected French mansion.
A young woman sits in the driver’s seat of a red convertible. She has a short, tousled pixie cut with blue streaks, and is wearing sunglasses with a golden rims. She smiles as she rests her left arm on the car door.
In the dining car of a historic train. An older, corpulent man is standing on the left. He is wearing a blue uniform with a double row of buttons and an officer’s cap. On the right is a young man in a white uniform with a white officer’s cap. The older man is scolding the younger man. The younger man looks away, embarrassed.
The knights’ hall of an old castle. Hunting trophies hang on the dark walls, beneath them are paintings, one of which depicts an anthropomorphic wolf. To the left, a fire crackles in a huge fireplace. In the middle of the room, brightly lit, stands a dark table. Dian sits on one of the chairs and looks at Miray, who is standing next to the table. The scene appears gloomy and eerie.
Scenes
All Scene Stills
Episodes
1: Tear of the Desert 2: Élodie's Curse 3: Deceptive Appearances 4: The Great Trampera 5: Kiona Bluff 6: Tapas in València Backstage
Figures
Alexandru Brown, Amanda Bullet Ben Chef Cobb, Luther Dian Dian's Boss Farges, Antoine Florica Hopkins Lish Martens, Clayton Miray Moreau Reynaud, Jacques
Also on PixelFed
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All images are AI-generated. They are fictional, just like the stories.